In 2023, Patternmakers partnered with contemporary performance company A is for Atlas to evaluate Dining Room Tales and explore its social impact.
Viewing entries tagged
Evaluation
In 2022, Sydney Opera House partnered with Patternmakers to create an Evaluation Framework for its new Centre for Creativity.
Patternmakers is working with Melbourne Fringe to evaluate their Radical Access Program (2022-2024).
In 2022 and 2023, Patternmakers is working with APRA/AMCOS to evaluate a new version of the celebrated SongMakers program.
Patternmakers is working with the National Gallery of Australia to evaluate the impact of exhibition touring across the country.
Patternmakers was commissioned to evaluate the reach and impact of Inspiring Australia Queensland and their efforts to facilitate STEM engagement.
In 2022, Patternmakers was invited to work alongside Albany Lane and Accessible Arts to evaluate the three-year Front and Centre leadership program for disabled women and other marginalised genders.
Patternmakers is working with the PIVOT program at Abbotsford Convent, a program aimed at providing independent artists with resources and space as they adapt to a ‘post-pandemic’ sector
Patternmakers worked with MCA to explore whether MCA’s GENEXT, a festival-style event for young people, had benefits for their mental health and wellbeing.
We’re working with the MCA to evaluate the Art Parcel, an at-home art-making kit for primary school children in NSW, designed for the NSW Government’s Creative Kids vouchers.
We worked with ATYP to explore the impact of youth theatre on mental health and launch the findings at the Arts & Health Conference.
From 2019 - 2021, Patternmakers worked with Terrapin to evaluate the impact of its Schools Touring Program on Tasmanian students, teachers and communities.
We’ve worked with Melbourne Fringe from 2018 to 2021 on an evaluation of their Access and Inclusion Program.
In 2020, Patternmakers worked with the City of Greater Geelong to review their annual Christmas Program and produce a business case for developing the program over the next four years.
Patternmakers worked with Bundanon Trust to evaluate the impact of its community-engaged art program, Bundanon Local.
In 2019, we worked with Musica Viva to evaluate the impact of its Musica Viva In Schools (MVIS) program, and the Wyniss Ensemble specifically.
In 2019, we worked with the Sydney Opera House to evaluate the impact of its Digital Creative Learning Program.
From 2015-2018, Performing Lines commissioned Tandi Palmer Williams to help analyse and report on each year of APPCAMP, a week-long event bringing together creative producers for networking and exchange.
In 2018, we worked with the Museum of Contemporary Art to evaluate their GENEXT Program, a festival-style event for people aged 12-18 years featuring live music, performances and art-making and interactive experiences.
We worked with Barking Gecko Theatre Company in Perth to evaluate their Ensembles program.