In 2019 our MD Tandi Palmer Williams took to LinkedIn to share ideas with you. Here are the top articles that had us talking.
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In 2019 our MD Tandi Palmer Williams took to LinkedIn to share ideas with you. Here are the top articles that had us talking.
Are you applying for multi-year funding in 2019? Here are five things you can do to strengthen your work, consolidate impact and improve your chances of success in upcoming funding rounds.
The end of the year is a great time for reflection, and being the lovers of data that we are at Patternmakers, this means evaluating at our own activity. And so, here are the top five articles that you loved most from our 2018 Culture Insight & Innovation Updates.
Lately I’ve been thinking hard about how young people engage with art, culture and creativity. As mother of a one year old, my life (and arts participation patterns) have changed dramatically in the past year. Late nights at the theatre and gigs have been replaced with mornings at the museum, reading stories and pushing a pram through community festivals.
We've been thinking about where arts and culture research is heading in 2017 so we're sharing the top five trends on our radar.
Here at Patternmakers, we love hearing about new ways for people of all ages to access the arts. Here are five new projects that caught our attention...
One of the most interesting and rewarding projects I’ve ever completed was conducting an impact evaluation of the Unlimited Commissions Programme for disabled artists.
Between July and November 2015, my co-researcher Morwenna Collett and I immersed ourselves in the UK arts and disability world, to learn the language, issues and challenges that disabled artists face, and answer the question ‘Is Unlimited making a difference?’...
In June 2014 I had the pleasure of interviewing Diane Ragsdale on behalf of Native, the online magazine of the Digital R&D Fund for the Arts. Diane is based at Erasmus University in Rotterdam researching and talking about cultural economics with a specialism in the performing arts. She previously spent six years at the Andrew W. Mellon Foundation and is one of the leading thinkers on arts governance of our generation...